A brief History of 3D Picture Sculpture

There has been much speculation of the origins of the craft of 3D Picture Sculpture, 3D Decoupage or Paper Tole. The Japanese have for centuries shaped and folded paper into beautiful designs, transforming a piece of paper into a three dimension creation.

Oriental lacquer work formed the basis of the development of the 17th Century art form decoupage. The craftspeople of the day embedded designs into furniture by applying successive coats of lacquer, sometimes using 15 or 20 coats.

The French and Venetian further refined these techniques in an art form called "Vue d'Optique" which is considered by many as equivalent to the modern method of using paper to create 3dimensional pictures.

Other names have been given to the art form. Some of the common names used have been papertole, papiertole, 3 Dimensional Paper Tole, Decoupage, 3D art, 3D dimensional decoupage and dimensional art.

More recently the craft has been developed to a level of artistry using advanced shaping and sculpturing methods. During the 1930's in the heartland of USA and during the Depression, crafters had to be most innovative and make use of resources that were at hand.

It was traditional at that time for households to receive multiple Christmas cards with the same image from charity agencies. After the festive season many of these cards were unused and presented an ideal opportunity during the cold winter months to create 3D pictures using multiple copies of the same image.

The craft rapidly developed and moved from layering techniques to actual paper sculpturing. Initially 3 or 4 copies of identical prints were used, but this was further developed to include more prints thus more detail.

It was during the late 70's and early 80's that the craft really developed a surge of interest. At that stage, Canadians took an interest in the craft and further developed techniques that added both flair and artistry.

Modern Techniques

3D Picture Sculpture is an interesting and exciting art and craft of depth, contour, and perception. Six or seven copies (and in some cases many more depending on the complexity) of the same print are used.

The 3D picture is built by cutting out certain parts of different prints of an identical image, then by shaping, layering, and mounting the pieces to the base print using mounting medium or neutral cure silicone, a 3 dimensional effect is created. The application of a lacquer or glaze to selected areas of the picture is optional and often enhances the 3 dimensional image.

There are 3 principle areas when looking at an image the crafter must visualize, those being, the background, the middle-ground, and the foreground with several intermediate layers between the background and foreground.

A natural perspective is gained by properly and skilfully shaping each cutout piece before mounting it. In my view, one of the most important techniques that will really elevate the finished picture from being really good to magnificent lies in the skill in which I shape or sculpture the individual elements of the picture.